I’m the author of a number of books for kids and teens, many of which imagine young characters having more influence than you might expect. My book The Museum of Lost and Found is about an 11-year-old girl who secretly curates a museum. The Campaign is about a 12-year-old who runs her babysitter’s campaign to become mayor of their town. And This Song Will Save Your Life is about a 16-year-old who secretly becomes an underground DJ. These characters have realistic and relatable kid problems, emotions, and relationships—but they also get to have responsibilities and power well beyond their years.
You describe a book as “Ocean’s Eleven for teens,” and I am a hundred percent in.
Like most heists, this one has the cat burglar and the genius hacker and the femme fatale and the getaway driver—except this time, they’re all teenagers. What a dream!
I just love a good heist story. They have to be so carefully crafted, so tightly plotted, and as a writer I really admire any storyteller who can do that. All three books in the Heist Society series are remarkable feats of plotting and pacing. I got to see Ally Carter give an author talk once, and she spoke about just how hard it is to write something that looks this easy. That’s so true; it really stuck with me.
From the international bestselling author of the Gallagher Girls series
When Katarina Bishop was three, her parents took her to the Louvre...to case it. For her seventh birthday, Katarina and her Uncle Eddie travelled to Austria...to steal the crown jewels. When Kat turned fifteen, she planned a con of her own - scamming her way into the best boarding school in the country, determined to leave the family business behind.
But now her dad's life is on the line, and Kat must go back to the world she tried so hard to escape...
This book was in my third-grade classroom library, and I read it so many times that when the school year ended, my teacher let me keep it. I’m glad she did, because I’ve never seen it anywhere else.
This was the first book I ever fell in love with about a kid doing something you thought only grown-ups were supposed to do—namely, becoming principal of her own school! Adult readers might protest that this premise is “unrealistic,” but it’s written in such a way that as a young reader it seemed completely plausible to me.
As a kid, there’s just so much that you have no control over, so the idea of earning a position with real power is incredibly appealing.
What if James Bond were fifteen years old? Great question; let’s find out!
I love the idea of a kid being a great spy, not despite their age but in fact because of it. Being a kid gives Alex Rider access to places and situations where an adult would arouse suspicion. Alex gets all the cinematic spy gear that you expect from spy movies. He’s constantly underestimated because of his age—and that is exactly what makes him so powerful.
I think that’s really the theme across all these books, and what makes them so appealing to me: People don’t expect much of you because you’re a kid, but secretly you are so much greater than they could ever comprehend.
The first book in the number one bestselling Alex Rider series.
In the first book in the number one bestselling Alex Rider series by Anthony Horowitz, fourteen-year-old Alex is forcibly recruited into MI6. Armed with secret gadgets, he is sent to investigate Herod Sayle, a man who is offering state-of-the-art Stormbreaker computers to every school in the country. But the teenage spy soon finds himself in mortal danger.
One of the things I like about this type of book is that the main characters often have a secret identity.
To their classmates or teachers or parents, they’re just an ordinary kid—but when they’re not being watched, they’re doing something important and impactful. I love the tension of worrying that their secret identity might get found out. In this series, the main character’s secret identity is that she’s an accomplished and influential restaurant critic and no one knows, not even her parents.
“A scrumptious gem of a story!”—Jennifer A. Nielsen, New York Times bestselling author of The False Prince
Meet Gladys Gatsby: New York’s toughest restaurant critic. (Just don’t tell anyone that she’s in sixth grade.)
Gladys Gatsby has been cooking gourmet dishes since the age of seven, only her fast-food-loving parents have no idea! Now she’s eleven, and after a crème brûlée accident (just a small fire), Gladys is cut off from the kitchen (and her allowance). She’s devastated but soon finds just the right opportunity to pay her parents back when she’s mistakenly contacted to write a restaurant review for…
I wrote my first book and started submitting it to publishers when I was eleven years old. I dreamed of publishing a book before I graduated from high school.
Ultimately, that didn’t happen—I was 25 by the time I sold my first book. So you can see why I loved a story about a character who lived my dream; a 14-year-old girl who becomes a bestselling author. Most people didn’t believe that kids can be authors, but seeing another kid do it—even if her story is fictional—makes it feel possible.
Jamie longs to be popular, but she never dreams of the fame that is suddenly hers after a private journal entry accidentally finds its way to her teacher, then a publisher, and her career as a bestselling author is kicked into motion. In no time at all she is caught in a swirl of book signings, power lunches, and photo ops. And the hottest guy in school finally knows her name! Could it get any better than this?
Girls who love wish-fulfillment fantasies like The Princess Diarieswill relish Jamie's foray into a world of glamour and glitz, which she ultimately…
Vanessa isn’t sure which happened first: finding the abandoned museum or losing her best friend, Bailey. She doesn’t know what to do with herself now that Bailey has left her behind—but when she stumbles upon an empty, forgotten museum, her purpose becomes clear. Vanessa starts filling the museum with her own artifacts and memories, hoping that perhaps if she can find the right way to tell the story of her broken friendship, she can figure out how to make it whole again.
As Vanessa’s museum grows, it seems like the place might have the answers to other questions, too. Like why a mysterious work of art was left behind. Or how to deal with a military dad who’s trying to parent from thousands of miles away. Or why Vanessa’s bad habit is getting harder and harder to quit. Or even, maybe, how to set the past to rest and find a way to move forward.
Moving and charming, The Museum of Lost and Found is about how we grow apart from some people as we grow up—and how sometimes we can find new pieces of ourselves in the aftermath.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
Keen to rekindle their love of East African wildlife adventures after years of filming, extreme dangers, and rescues, producer Pero Baltazar, safari guide Mbuno Waliangulu, and Nancy Breiton, camerawoman, undertake a filming walking adventure north of Lake Rudolf, crossing from Kenya into Ethiopia along the Omo River, following a herd of elephant making their annual migration.
Stumbling onto an elephant poaching, the team become embroiled in true financing of terrorism for al Shabaab –ivory sales–and are determined to stop the slaughter at any cost. Ivory trade financing terrorism involves UN refugee camps with two hundred thousand displaced Somali persons, powerful…
A documentary team hiking through East Africa collides with a gang of deadly poachers, in this gripping adventure by the author of Kidnapped on Safari.
Years of filming, extreme dangers, and daring rescues have taken their toll on documentary producer Pero Baltazar and his team. To relax and reconnect with the East African wildlife they love, Pero organizes a walking safari for him, his camerawoman Nancy Breiton, and their elite guide Mbuno Waliangulu. Still, Pero has trouble truly disconnecting from work. When the team comes across a herd of elephants making their annual migration north of Lake Rudolf, Pero decides…
